Sequel to Tim Burton's hugely successful 'Batman' (1989). Oswald Cobblepot was abandoned by his parents as a baby. Thirty three years later, bent on revenge, he returns to Gotham City as the Penguin (Danny DeVito). First he begins a warped campaign to become Mayor, helped by millionaire businessman Max Shreck (Christopher Walken); next, he undertakes a mission to murder every first born son in Gotham - a plan which will avenge his own beginnings. Meanwhile, he has two adversaries to contend with: Catwoman (Michelle Pfeiffer), the embittered ex-secretary of Max Shreck, and, of course, the old caped crusader himself - Batman (Michael Keaton).

Box set containing four films from the popular 'Batman' film series. 'Batman' (1989) was the first big screen outing for Bob Kane's caped crusader. The streets of Gotham City are no longer safe for criminals, who are being picked off by a masked vigilante in a rubber suit - dubbed 'Batman' by the press. Reporter Alexander Knox (Robert Wuhl) teams with photographer Vicki Vale (Kim Basinger) in an attempt to discover Batman's true identity - an investigation which leads them to the door of mysterious millioniare Bruce Wayne (Michael Keaton). Meanwhile, crime boss Carl Grissom's (Jack Palance) attempt to rid himself of untrustworthy henchman Jack Napier (Jack Nicholson) does not go according to plan, and after emerging physically - and mentally - disfigured from a vat of chemicals, Napier reinvents himself as the psychotic Joker. In 'Batman Returns' (1992), Oswald Cobblepot was abandoned by his parents as a baby. Thirty three years later, bent on revenge, he returns to Gotham City as the Penguin (Danny DeVito). First he begins a warped campaign to become Mayor, helped by millionaire businessman Max Shreck (Christopher Walken); next, he undertakes a mission to murder every first born son in Gotham - a plan which will avenge his own beginnings. Meanwhile, he has two adversaries to contend with: Catwoman (Michelle Pfeiffer), the embittered ex-secretary of Max Shreck, and, of course, the old caped crusader himself (Keaton). In 'Batman Forever' (1995), former District Attorney Harvey Two-Face (Tommy Lee Jones) is terrorising Gotham City, when a new villain appears on the scene - the Riddler (Jim Carrey). Together they plot to discover Batman's (Val Kilmer) identity, using a device which can probe the human mind. Meanwhile, the caped crusader has been joined by Robin (Chris O'Donnell), whose trapeze-artist family have recently been slain by Two-Face. 'Finally, in 'Batman and Robin' (1997), Batman (George Clooney) and Robin (O'Donnell) have to stop the vengeful Mr Freeze (Arnold Schwarzenegger) from taking over Gotham City by using his new ice weapon. To make matters worse, the venomous Poison Ivy (Uma Thurman) decides to join forces with Freeze, so making an almost undefeatable double-whammy of a team. Luckily for the caped crusader and his rebellious ward, they can team up with a new tough and courageous new partner - Batgirl (Alicia Silverstone).

Collection of five films starring Sylvester Stallone. In 'Assassins' (1995) professional hitman Rath (Stallone) decides it's time to call it a day, even though he is still the best around. But as he searches for a way out he discovers that he is now the target of another assassin, Bain (Antonio Banderas), who is determined to be the new number one. The two men are both sent on an assignment to kill intelligence operative Elektra (Julianne Moore). However, Rath decides to flee with Elektra and outwit Bain. In 'The Specialist' (1994) US demolition expert Ray Quick (Stallone) attempts to abort the assassination of a South American drugs baron when he realises innocent children will be killed in the explosion. However, his partner (James Woods) goes ahead with the mission, leaving the duo permanently estranged and Quick psychologically scarred. Years later, a beautiful woman (Sharon Stone) asks Quick to come out of retirement to kill a Cuban drug lord who has murdered her father. Quick initially refuses, but is soon drawn into a plot that brings him in contact with his ex-partner once again. In 'Tango and Cash' (1989) two mismatched cops, one sharp-suited (Stallone), the other a slob (Kurt Russell), are thrown together when they are framed by a big-shot gun-runner (Jack Palance). They are put in prison, duly escape, and then attempt to clear their names whilst trying to track down a massive haul of weapons before they get shipped abroad. In 'Demolition Man' (1993) LA cop John Spartan (Stallone), nicknamed 'Demolition Man' due to his hands-on approach to law enforcement, is condemned to 70 years in the penal freezer after being set up by Simon Phoenix (Wesley Snipes), Public Enemy Number One. Halfway through his sentence, however, both he and Phoenix are catapulted out of captivity, discovering their city has been transformed into a peaceful utopia, under the benevolent rule of mayor Dr Cocteau (Nigel Hawthorne). As a mysteriously pumped-up Phoenix carries on where he had left off 35 years earlier, Spartan teams up with a comparatively feisty cop (Sandra Bullock) to bring him to justice and expose the man who is engineering the whole scenario. In 'Cobra' (1986) a tough detective known as Cobra (Stallone), is assigned to protect a beautiful model (Brigitte Nielsen), the only witness to a series of brutal murders. It transpires that the killings are not the work of one lone psychopath but rather a highly organised army of neo-fascists.

Stories have always had the power to move, but it has only recently become clear that purposeful stories - those created with a specific mission in mind - are essential in persuading others to support a vision or cause. For Peter Guber, what began as a knack for telling stories as one of the world's leading entertainment executives has evolved into a set of principles that anyone can use to achieve their goals - whatever you do in life, you need to be able to tell a good story. In Tell to Win Guber explains how to move beyond PowerpPoint slides and spreadsheets to create purposeful stories that can serve as powerful calls to action. He reveals the best way to get noticed, how to turn passive listeners into active participants, and how technology can be used to ensure audience commitment. Featuring wisdom from Guber's meetings with (and lessons from) everyone from Nelson Mandela to YouTube founder Chad Hurley, and Muhammed Ali to Steven Spielberg (who he tutored in making films), Tell to Win entertainingly shows how to craft, deliver and own a story that is capable of turning others into viral advocates for your goal.

Hollywood thrives on shoot outs - that series of stand-offs, skirmishes and power struggles that mark every stage of the film-making process - be it a director insisting on final cut, a star demanding a bigger trailer, or a grip with a gripe. Shoot Out is about how movies are made - from the first pitch to the final cut. For film buffs, aspiring film-makers, students and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what and why of the film business. 'Packed with insider gossip and some astonishing revelations about the incompetence and self-indulgence that goes on, this is a truly engrossing read. Yet to the authors' credit, none of their stories smack of vindictiveness, whilst the snappy prose ensures that the pages skip by in an entertaining blur. In fact it could be said that this Shoot Out scores a bulls-eye!' Film Review (Book of the Month)